Every Frame a Rembrandt
This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer. qEvery Frame a Rembrandtq is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple qpoint and shootq in the typcal western to complex in-camera effects. In recounting his qwar storiesq Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert).I do not intend to give lighting diagrams. I believe that each and every situation that requires lighting demands its own particular plan and approach. I do not intend to use the following five films as examples of photography to follow or imi a tateanbsp;...
| Title | : | Every Frame a Rembrandt |
| Author | : | Andrew Laszlo, Andrew Quicke |
| Publisher | : | Taylor & Francis - 2013-04-02 |
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